PLA alignment stage
Sheet 03 · The film catalog
Technical animation & product films
Broadcast-quality films for engineering companies. Built from your real geometry and your real data, then checked frame by frame against the source before anything ships.
9 product films mastered
Long-term production partner
Long-term production partner
REEL 01
TPC · PLA alignment stage · product film
Client · TPC
0:32 excerpt of 1:48 master
datasheet → storyboard → master · checked at every step
Agencies make it pretty
Then get the specs wrong
A product film is a technical document with a soundtrack. An agency that starts from zero on your domain hedges on the details that sell, and if the mechanism moves wrong or the spec on screen is stale, your most expensive marketing asset becomes a correction your engineers have to issue.
Watch the work
Product films and a system film, delivered and in the field. Excerpts below; full films on a call.
REEL 02
TPC · PLS110A X-Y combination axis · product film
Client · TPC
0:30 excerpt of 2:12 master
REEL 03
TPC · PLS linear stage · product film
Client · TPC
0:30 excerpt of 1:54 master
REEL 04
TPC · TSC dust-proof cover · product film
Client · TPC
0:30 excerpt of 1:44 master
REEL 05
TPC · motion system film
Client · TPC
0:35 excerpt of 3:01 master
REEL 06
TPC · RNZ5524 dispensing valve · product film
Client · TPC
0:30 excerpt of 2:05 master
REEL 07
TPC · THR linear robot · product film
Client · TPC
0:30 excerpt of 1:32 master
REEL 08
TPC · TCM2 round-body cylinder · product film
Client · TPC
0:30 excerpt of 1:40 master
REEL 09
TPC · AQ2 compact thin cylinder · product film
Client · TPC
0:30 excerpt of 1:35 master
Excerpts shown at web bitrate. Masters are broadcast quality.
Full films and references on a call.
Approved by the engineers
who designed the parts
The hardest reviewer a product film can face is the engineer who drew the product. Every film on this page went through that review before the client published it.
“개발부서 확인하였고 영상 만족도가 높습니다.”
“The development department has reviewed the films. Satisfaction is high.”
Sales Planning Team · TPC Robotics
After R&D review of the PLS series films ·
“퀄리티가 너무 좋습니다!”
Same team, on receiving the THR film ·
RECORD
Acceptance · TPC Robotics
Reviewed by
The client’s own R&D labEvery film is checked by the engineers before release. Their sign-off is the acceptance bar.
Published
On TPC’s official channel, in both languagesEN and KO masters of each film, posted under their name, not ours.
In use
Embedded in their product pagesThe films now sit next to the catalog entries they were built from.
Status
Repeat client, nine films inNew products now arrive in batches, with a standing review workflow agreed with their development department.
One order, every channel
Most studios deliver a video file. A bringCatalog order ships the whole distribution stack around the film, in two languages, built from the same checked CAD, so your team publishes in minutes instead of briefing another agency.
MANIFEST
One product film order · 9 of 9 films shipped this way
01
Two broadcast mastersEnglish and Korean native narration, 1080p, mastered to the broadcast loudness standard.
2 × MP4 · −14 LUFS
02
Email campaign, ready to sendA self-contained HTML file with every hero image embedded. Open it, paste it into your mail tool, send.
1 × HTML
03
Bilingual campaign deckEight sections matched one to one with the film: hero, scene cards, order-code guide, video card, contact. Per-section images plus one overview sheet.
8 + 1 images
04
Thumbnails for every surfaceYouTube thumbnails in both languages, a text-free version for your own copy, square tiles sized for your web catalog.
5 files
05
Still libraryClean high-resolution renders of every key angle with no text baked in. Technically exact product photography, usable in any language.
dozens per film
06
Publishing copy, paste-readyYouTube title and description in both languages and a LinkedIn post pair in executive voice.
EN + KO
07
Annotated manifestA file-by-file guide in your team’s language: what each asset is for and where it goes, so the package needs no follow-up call.
1 × guide
FIG · YOUR CATALOG, LIVE
yourcompany.bringcatalog.com · 9 films · background excerpts play, click for sound
YOUR COMPANY · AUTOMATION SOLUTIONS
Your catalog, opening on the film
PLS110A X-Y combination axis
PLS linear stage
TSC dust-proof cover
Motion system
RNZ5524 dispensing valve
THR linear robot
TCM2 round-body cylinder
AQ2 compact thin cylinder
01 / 09
Product film library9 films
The hosted catalog page as shown to TPC in concept, rebuilt with a placeholder brand: your films and your lineup at yourcompany.bringcatalog.com. The background films are the same excerpts as the reels above.
Nine films, one hero
FIG · YOUR PRODUCT PAGE
Film card above the spec strip · PLS110A X-Y
Motion › Linear stages › PLS110A X-Y
X-Y combination axis
PLS110A X-Y
Two PLS110A stages bolted face to face with no adapter plate: a 48 mm stack that moves in a plane. The upper axis rides the lower one, so every position is the sum of the two.
Master 01 · product card
Rendered from the production CAD · 2:12
SpecificationsDatasheet · live spec strip
Travel120 × 50mm, X × Y
Stack height48mm, no adapter plate
Repeatability±0.5µm, 0.2 µm encoder
Peak force60 / 42N, X / Y
Masters in the product card, the datasheet as the spec strip. Specs shown are the PLS110A X-Y’s.
Your brand where the placeholder sits
Every film on this page shipped as this package.
Each new product slots into yourcompany.bringcatalog.com.
9
Product films
8 product lines · 17 min of finished film
0
Corrections after delivery
every spec checked against the source before it ships
2
Languages, every master
EN and KO narration, the same checked specs
0
Stock footage
every shot rendered from the client’s own CAD
Numbers from delivered work, not projections
Not a 3D shop’s turntable
A typical shop imports your CAD, spins it, and adds a logo. This studio runs film craft to an engineering department’s standard: every claim, every frame and every decibel is measured before it ships.
01
Optics, computed
Real path-traced depth of field, with the focus plane derived per shot from the part’s own geometry, and focus pulls used as editing. The blur on screen is physics, not a filter.
02
Metal that reads as metal
Edge breaks that catch light, directional grain on turned surfaces, product-photography lighting derived from each camera position. A photograph of a machine that doesn’t exist yet, not a render.
03
Physics-true motion
A drive element moves only when its mechanism moves it, and every stroke ends at the stop your CAD defines. If it isn’t in your CAD, it isn’t in the film. That is why client R&D can sign off.
04
Film grammar
Designed match cuts, light traveling across machined surfaces, a film grade, and music built so its hit lands on the key cut.
05
Quality by instrument
Before a film ships it passes measured gates: text-collision checks, shot-continuity detection, lighting-stability scans across every frame, broadcast loudness mastering, claim-by-claim datasheet verification. A defect has to beat instruments, not a tired reviewer.
06
Each film raises the bar
Nine films into one partner’s catalog, the standard has only moved one way: up. Every new client starts at the current bar, not the first one.
FIG · CONTINUITY GATE
TCM2 · designed match cut · measured on the shipped frames
A · outgoing · Ø40 model
Gland circle · matched point
B · incoming · smaller bore
Gland circle · matched point
Anchor1000, 625 px same point, both frames
Measured offset10.2 px · 0.40 % of frame width
Acceptance band≤ 0.5 % frame width at a hard cut
Shape match (NCC)0.937 circle hands off to circle
Tone across the cutΔ 3.78 luma limit ≤ 8
Sharpness at the pointA 1.20 · B 1.34 both in focus
FramesA f195/195 · B f1/380
ResultPASS shipped as a hard cut
Two different cylinders, on purpose. Frame A ends on the Ø40 model’s seal gland; frame B opens on a smaller bore’s gland at the identical screen point and size, the second camera placed at exactly the distance that makes the two circles equal. The circle carries the cut; the product changes around it.
Readout from the gate, not retouched
| A typical 3D shop | bringCatalog |
|---|---|
| Turntable and a logo | A story told in film grammar: match cuts, light reveals, scored music |
| Generic material presets | Photography-grade machined metal and computed optics |
| Motion animated to look right | Motion derived from real kinematics and CAD limits |
| Geometry invented when convenient | If it isn’t in your CAD, it isn’t in the film |
| QA by eye | Instrumented gates: geometry, continuity, lighting stability, loudness, claims |
| One video file | The full bilingual campaign package above |
Notes
- Landscape and portrait cuts from the same master.
- Your CAD and datasheets never leave the project.
your CAD → master · measured at every step
Let's talk
We skip the pitch decks. Bring one datasheet and leave with a storyboard direction for your first film.
First call → first cut: days, not quarters
Your data
Your CAD and datasheets never leave the project. Every frame is checked against them before the master ships.
Built for engineering companies whose products deserve better than stock footage.
Every film checked against your documents before it ships.
Founder & CEO · ex-robotics CEO
20 yrs Korea & US market experience