Sheet 03 · The film catalog
Technical animation & product films
A film catalog for industrial manufacturers, live at yourcompany.bringcatalog.com. Every product gets a broadcast-quality film, built from your real geometry and your real data and checked frame by frame before it ships.
Long-term production partner
Your catalog, opening on the film
Plenty of films look right
Few get the specs right
A product film is a technical document with a soundtrack. An agency that starts from zero on your domain hedges on the details that sell, and if the mechanism moves wrong or the spec on screen is stale, your most expensive marketing asset becomes a correction your engineers have to issue.
Watch the work
All films produced for TPC Robotics
Three films from the catalog, chosen for what they prove: the flagship product film, the film that carries one design idea from its first frame, and the film behind the measured match cut. The rest play in the catalog above. Full films on a call.
Approved by the engineers
who designed the parts
The hardest reviewer a product film can face is the engineer who drew the product. Every film on this page went through that review before the client published it.
“개발부서 확인하였고 영상 만족도가 높습니다.”
“The development department has reviewed the films. Satisfaction is high.”
Sales Planning Team · TPC Robotics
After the development department’s review of the PLS series films ·
“퀄리티가 너무 좋습니다!”
“The quality is excellent!”
Same team ·
“매우 만족합니다.”
“We are very satisfied.”
Same team ·
The client’s own development departmentEvery film is checked by the engineers before release. Their sign-off is the acceptance bar.
On TPC’s official channel, in both languagesEN and KO masters of each film, posted under their name, not ours. Twenty-five delivered, twenty-two of them on the customer’s channel today.
Embedded in their product pagesThe films now sit next to the catalog entries they were built from.
Repeat client, ongoingNew products now arrive in batches, with a standing review workflow agreed with their development department.
Not a 3D shop’s turntable
A typical 3D film stops at importing the CAD, rotating it and adding a logo. bringCatalog runs film craft to a development department’s standard: every claim, every frame and every decibel is measured before it ships.
Optics, computed
Real path-traced depth of field, with the focus plane derived per shot from the part’s own geometry, and focus pulls used as editing. The blur on screen is physics, not a filter.
Metal that reads as metal
Edge breaks that catch light, directional grain on turned surfaces, product-photography lighting derived from each camera position. A photograph of a machine that doesn’t exist yet, not a render.
Physics-true motion
A drive element moves only when its mechanism moves it, and every stroke ends at the stop your CAD defines. If it isn’t in your CAD, it isn’t in the film. That is why the client’s development department can sign off.
Film grammar
Designed match cuts, light traveling across machined surfaces, a film grade, and music built so its hit lands on the key cut.
Quality by instrument
Before a film ships it passes measured gates for text, continuity, lighting and loudness, and every claim on screen is checked against the datasheet. A defect is caught by instruments, not by eye.
A · outgoing · Ø40 model
Gland circle · matched point
B · incoming · smaller bore
Gland circle · matched point
| A typical 3D film | bringCatalog |
|---|---|
| Turntable and a logo | A story told in film grammar: match cuts, light reveals, scored music |
| Generic material presets | Photography-grade machined metal and computed optics |
| Motion animated to look right | Motion derived from real kinematics and CAD limits |
| Geometry invented when convenient | If it isn’t in your CAD, it isn’t in the film |
| QA by eye | Instrumented gates: geometry, continuity, lighting stability, loudness, claims |
| One video file | The full bilingual campaign package above |
- Landscape and portrait cuts from the same master.
- Your CAD and datasheets never leave the project.
One order, every channel
Most studios deliver a video file. A bringCatalog order ships the whole distribution stack around the film, in two languages, built from the same checked CAD, so your team publishes without briefing another agency.
Two broadcast mastersEnglish and Korean native narration, 1080p, mastered to the broadcast loudness standard.
2 × MP4 · −14 LUFSEmail campaign, ready to sendA self-contained HTML file with every hero image embedded. Open it, paste it into your mail tool, send.
1 × HTMLBilingual campaign deckEight sections matched one to one with the film: hero, scene cards, order-code guide, video card, contact. Per-section images plus one overview sheet.
8 + 1 imagesThumbnails for every surfaceYouTube thumbnails in both languages, a text-free version for your own copy, square tiles sized for your web catalog.
5 filesStill libraryClean high-resolution renders of every key angle with no text baked in. Technically exact product photography, usable in any language.
dozens per filmPublishing copy, paste-readyYouTube title and description in both languages and a LinkedIn post pair in executive voice.
EN + KOAnnotated manifestA file-by-file guide in your team’s language: what each asset is for and where it goes, so the package needs no follow-up call.
1 × guideTwo PLS110A stages bolted face to face with no adapter plate: a 48 mm stack that moves in a plane. The upper axis rides the lower one, so every position is the sum of the two.
Let's talk
We skip the pitch decks. Bring one datasheet and leave with a storyboard direction for your first film.
First call → storyboard direction
Your CAD and datasheets never leave the project. Every frame is checked against them before the master ships.
Built for industrial manufacturers whose products are sold on their specifications.
Every film checked against your documents before it ships.
Founder & CEO
Former robotics company President
20 yrs Korea & US market experience